Projects:
Danish electin 2001 3:44 min.
Gothenburg 2 min.
One Dollar 3 min.
CV- 2004
EXHIBITIONS:
ETHNIC MARCETING, Centre dárt Contemporain, Geneva, 2004
BERLIN BIENNALEN, "Komplex Berlin" with Hito Steyerl, Berlin 2004
MINORITY REPORT, Århus Artcenter, 2004 DK
VIDEOFESTIVAL: "Es ist schwer das Reale zu berühren", Kunstverrein-München
2004
AV-ARKKI, Helsinki 2004
THE ELECTRIC VISIONS FESTIVAL Erimitaget, St. Peterborg 2003
RE/AKTION, Art maganzin by Kristina Ask, 2003, DK
COPY CAT, Lars Bang and Brett Bloom, 2003,
BILLBOARD, Copenhagen. 2003, DK
Moment:konst , Konstveckorna Stockholm, 2003, SE
Charlottenborg " New Order Fundamentalism - Platform", Copenhagen,
2002, DK
INGREPP Modern Art from Denmark, Uppsala Konstmuseum 2002,SE
Rooseum, Olof Olsson, Museum of Contemporary Art, Malmö, 2001,SE
Mother earth Massive Propaganda, Södra Teatern Stockholm, 2001, SE
FORUM-2001 festival in conection of EU- summit in Gothenburg, 2001, SE
Projects:
DU DEMO (2003) 6:30 min
"IN-BETWEEN COUNTRIES" (2002) 3:33 min
CV- 2004
1973 Born in Tranås, Sweden
1996-02 Studium an der Universität der Künste in Berlin, Bildende
Kunst
2002 Meisterschülerin der UdK
2003 Deutsche Stipendiatin, Network Baltic
2003-05 Studium an Malmö Högskola, Kultur Produktion, S
2005 Goldrausch Künstlerinnenprojekt
Arbeiten/Praktika:
2003 Filmprojekt/praktik, Haus der Demokratie und
Menschenrechte, Berlin, D
2004 Kuratorin des Skåne Social Art Forum - Utopi Station, S
Kuratorin des Screening in der Leerstelle, Gustave- Eiffel-
Oberschule, Berlin, D
Ausstellungen/Festivals/Screenings:
2003 3 von 10, Meisterschülerpreisausstellung, UdK, Berlin
Just passing through..., ROCKET SHOP/ bgf_mitte, Berlin
Network Baltic, Latvian Academy of Fine Art, Riga, LAT
2004 The Laureate Exhibition, Grafikens Hus, Mariefred, S
Network Baltic, The Trondheim Academy of Fine Art,
Trondheim, N
Network Baltic, Künstlerhaus Bethanien, Berlin, D
Skåne Social Art Forum - Utopi Station, Lund, S
Screening in der Leerstelle, Gustave- Eiffel-
Oberschule, Berlin, D
2005 Network Baltic: Mariefred, Talinn, Trondheim, Warsaw
Projects:
Die auflösung der vereinigten staaten von Amerika (2001) 7:20 min
CV
Thorbjørn Reuter Christiansen born 1974 in Næstved, Denmark.
Thorbjørn Reuter Christiansen / Education
1994-95 Fatamorgana - The Danish School of Art Photography, Copenhagen,
Denmark
2001-06 Student at the Academy of Art, Berlin, Germany (class of Professor
Katharina Sieverding)
2003-04 Erasmus student at Malmoe Art Academy, Sweden (class of Jimmie
Durham
and Lars Nilsson)
Thorbjørn Reuter Christiansen / Selected Exhibitions, Performances & Video
works
2000 HORIZONTAL, Madsnedøfort, Vordingborg, Denmark
2001 "Golden Arch Hotel," photo, digital video stills, and VHS (30
min.)
"Mr. Green Ear & The Burning Dollar Bill," performance with
Jason Liebert,
Galerie
Doris Day Dream, Berlin, Germany
"Opløsningen af de Forenede Stater af Amerika," performance
with Jason
Liebert,
Gallerie Doris Day Dream, Berlin,Germany
"Det brændende flag," (Burning of the American flag), VHS
(30 min.),
www.superchannel.org
"Medial Dislocated," critique of the US war against terrorism, VHS
(10 min.)
2002 AUSLAND, 100 color photos of embassies in Berlin, Germany
"World Border - Embassy - Refugee - Death Penalty," TRANSVISIT (Baltic
Art),
Madsnedøfort, Vordingborg, Denmark
"border crossing," Galerie Doris Day Dream, Berlin, Germany
OIL ARCHIVE, Haus am Lützowplatz, Berlin, Germany
2004 "Asylum Box," Skåne Social Art Forum - Utopi Station,
Stortorget,
Lund,
Sweden
MINORITY REPORT, Århus Artcenter, 2004 DK
Projects:
Security (2004) 4 min.
Projects:
Office 2 (2004) 4:48 min.
Projects:
November, (2004) extract 5min
Projects:
Show your wound, dvd, 2min
Video documentation of the work proposed in the TESTER book (and if possible the site as well)
Video documentation of the work proposed in the TESTER book (and if possible the site as well and ways to interact)
His work as propossed for Tester.
In this case we are discussing the way of presentation
since it is a video installation. I will keep you updated.
Aseries of short informal presentations (around 3 - 5 min. each) of different groups and collectives working on experimental and new media art and their relation with their social context. Participants come from Nicaragua, Argentina, México, Peru, Colombia, Honduras, among other cities of LatAm.
In some sense the idea is to see how there are always networks of people working in differente places and re-defining the 'tester network' (fortunatelly!)
We will map 2 or 3 cities in which the use of new media technologies and society are leading to a re-definition of their space: Mexico DF, Managua (Nicaragua) and Lima. On the three of them we will map different changes visible by artists and/or social scientists. In some way
is a bridge between culture and society. Each of the videos will represent a city interpretation.
The content from the Node.South Africa of the DVD will comprise of a selection
of interviews, artists artwork documentation and digital/video art in order
to create a overview of the local context, the current developments, creative
responses and a selection of work.
The content will address alternative creative practice using technology in
the context of a transforming environment. While there will be selection of
contributors throughout the country the main focus will be on Johannesburg.
A mix of historical and contemporary work will illustrate some of the different
positions in the local context.
Introduction by the trinity session:
Introducing the context
Positioning the DVD content
A brief overview of the different parts of the South African contribution
Interviews/ Points of View:
These will be short "talking heads" opinions and responses to various questions
creating an overview of the activities and the context.
- Prof. Christo Doherty (Head of the Digital Department,
University of the Witwatersrand)
- Clive Kellner (Director) / Kwesi Gule (Curator) (Johannesburg
Art Gallery)
- Mark Edwards (head of Multimedia at the University of
Johannesburg, short term Facilitator at the Bag Factory Lab)
- Maria Mcloy (rage.co.za)
- Nicola Hlobo (on behalf of a contemporary artist collective)
- Jason Levin (Director of Digerati ^ digital company and
sponsors of a Digital Arts prize)
- Clive van den Berg (Curator of the Brett Kebble art award,
which hosts a major digital prize)
- Michelle Costant (art on the edge radio show)
• Kopulla Xinisteris (SABC Art collection, Bag
Factory)
•
Artists interviews/ artwork documentation/ interviews:
The contributors will be showcasing their video/digital moving image work
and experiments and/or offering their opinion or presenting documentation of
installations and projects.
Nathaniel Stern
Mathew Hindley
Ralf Boland
Cobi van Tonder
Franci Cronje
Abrie Fourie
Usha Seejarim
Emanuel Prat
Richard Penn
(please note that the above shortlist is an indication of the type of participants
this might change slightly in the compilation process)
A lecture as a film, youngest Austrian generation of artists, just finish
the academy.
It is a work on anti-globalisation movement Deleuze and the situations, a
critique of the museum structure, excellent connection activism and high art
2004 (20 minutes)
The youngest Croat scene, a video work that is a collection of hacker ideology and Mondrian 2004 (10 minutes)
Austria animation (a new generation of animated comics) on solitude and drugs 2004 (3 minutes)
He dark room, sex and fakes from the dark room in Brussels. 2004 (6 minutes)
A story of labour, briefing and politics. Tester, a group of different, but engaged people meet in San Sebastian, they talk and talk about politics, art and how to make a book. An intellectual thriller. 2004 (20 minutes)
"It's not my memory of it", 25 min, USA 2003
Speculative Archive projects engage specific archival materials to produce documents as possible elaborations of "the historical record." Although Speculative Archive works with archival materials (declassified U.S. government records on cold war interventions in Guatemala or Chile, for instance), they situate their work in a current political context. "It's not my memory of it" is a documentary about secrecy, memory, and documents. Mobilizing specific historical records as memories which flash up in moments of danger, the tape addresses the logic of the bureaucracy of secrecy in the current climate of heightened security.
www.speculativearchive.org
"Black and White. The Back of the Images", 5 min, A/GB 2003
Which things or events are remembered? How is the Shoah remembered? What role is played in this remembering by the way in which images are dealt with? This short video by the group of female artists Klub Zwei addresses the problematic nature of these questions on a formal and contextual level - and does so by means of a radical removal of the images discussed in a voice-over. While the director of a photo archive poses questions regarding memory, images and history, we see texts solely in black and white.
www.t0.or.at/~klubzwei
"Aufzeichnungen zum Widerstand" (Notes of resistance), 10 min preview for Tester DVD of a video work in progress
Notes of resistance is a film project that investigates forms of resistance against fascism during the 1930's and 1940's in Austria, Spain and France. The main protagonist is Harry Spiegel, who died shortly before the beginning of the shooting of the film. Though he was never interviewed for the film in front of a camera, he is telling parts of his life via audio tapes illustrated with drawn sketches and animations. Additionally the film consists of filmed interviews, that were carried out with resistance fighters who were in contact with Harry Spiegel, talking about him and their activities. The film tries to find a way to combine fictional material (drawn sketches, animated storyboards) with non fictional stories (narration) of a generation of resistance fighters.
www.martinkrenn.net
"Phantom Fremdes Wien" (Phantom Foreign Vienna), 27 min, A 2004
While on a multi-cultural journey round the world in the years 1991 and 1992 during which she never left the city of Vienna, Lisl Ponger meticulously collected Super-8 sequences of celebrations, weddings and dances. The initial concern was with making visible the cultural multiplicity which, from the point of view of their public presence in the city, simply didn't exist. The return - a good ten years later - calls exactly that act of visualization into question. "What am I really seeing?" asks the commentary, spoken by Ponger herself. But it is not only that which makes it clear how conscious the film is with regard to the problems of how ethnicity is treated.
www.amourfou.at/subs/set_film_e.htm
"Sarajevo Guided Tours", 30 min, A 2002
Sarajevo Guided Tours shows eight different locations within a city, the individual urban excerpts organized into brief, discrete segments. While the title refers to the format of a tourist's gaze and experience, Isa Rosenberger subverts the idea of a guided tour by examining the question of how places are invented. [...] The result is eight consecutive portraits of public spaces and their inhabitants in which private and public history are woven into a fabric of architectural impressions, individual perspectives and ideas, and structural, factual data concerning everyday life in a city still associated primarily with images of the siege and destruction.
www.filmvideo.at/filmdb_display.php?id=1212&len=en
"Rote Zora", 28 min, A 2000 (version on DVD: below 10 min)
Rote Zora is a militant women's group that carried out over twenty attacks and various other offences in Germany in the eighties. Rote Zora formed a radical political opposition to the existing power which they carried out through a politics of property damage. The central element of the video "Die Rote Zora" is an interview with Corinna Kawaters that took place in summer 2000. Kawaters is the only woman from the Rote Zora who was sentenced by a court for "membership in a terrorist organization". The video offers room for the personal stories and perspectives of the women, allowing a picture of social revolutionary "terrorism" to arise which distinguishes itself from the hegemonial medial representations with their feigned objectivity.
www.ressler.at
A work about a women´s jail (during the civil war), in small village
of Basque Country.
Web Log, and differents informations and documentation of
the work proposed in the TESTER book (and if possible the site as well)
New theorical and grafhics proposals like a development of of the work proposed in the TESTER book.
Filósofo experto en ética empresarial, presidente de la Fundación
Vodafone España. " La hiperpolítica quintacolumnista y la ética
empresarial"
Filósofo de la tecnología ,profesor de la Universidad del País
Vasco. " La hiperpolítica quintacolumnista y la globalización
alternativa"
Filósofo de la ciencia, profesor visitante de Golden Mines University
(Colorado). " La hiperpolítica quintacolumnista y la tecnociencia
actual"
Historiador del tecnoarte, profesor de la Universitat de Barcelona. " La
hiperpolítica quintacolumnista y el tecnoarte"
Filósofo de la tecnología, profesor emérito de la Universidad
de Milán. " La hiperpolítica quintacolumnista y el intelectual
colectivo"
Artista y fotógrafa, diseñadora de páginas web. "Emblema del quintacolumnismo"
Filósofo de la tecnología y activista. "La hiperpolítica quintacolumnista y el activismo"
Filólogo y profesor de la Universidad de Extremadura. "La hiperpolítica quintacolumnista y el pensamiento no lineal"
Artista y profesor de la Universidad del País Vasco. "Emblema de la hiperpolítica
(Natxo Rodríguez Arkaute y Arturo Rodríguez Bornaetxea).
"La hiperpolítica quintacolumnista y el trabajo de nodos de net-art"
(Andoni Alonso e Iñaki Arzoz)
"Hiperpolítica quintacolumnista. La política en la era de la cibercultura y la globalización"
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